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Installation view

Installation view

Installation view

Installation view

Installation view

Installation view

Naomie Kremer Murmuration, 2022

Naomie Kremer
Murmuration, 2022
Oil on linen
85 x 115 inches

Naomie Kremer On Reflection, 2009 - 2023

Naomie Kremer
On Reflection, 2009 - 2023
Oil on linen
35 x 46 3/4 inches

Naomie Kremer Perambula, 2022

Naomie Kremer
Perambula, 2022
Oil on linen
57 x 77 inches

Naomie Kremer En bas, 2021

Naomie Kremer
En bas, 2021
Ink and acrylic on bas
20 x 26 x 7 1/2 inches

Naomie Kremer My Gala, 2021

Naomie Kremer
My Gala, 2021
Oil on linen
60 x 78 inches

Naomie Kremer Urbs, 2023

Naomie Kremer
Urbs, 2023
Oil on linen
30 x 41 inches

Naomie Kremer Loopy II, 2023

Naomie Kremer
Loopy II, 2023
Oil, acrylic and Phototex on linen
24 1/2 x 56 1/2 inches

Naomie Kremer Buoy, 2023

Naomie Kremer
Buoy, 2023
Oil on linen
46 x 62 inches

Naomie Kremer Boop, 2019

Naomie Kremer
Boop, 2019
Oil on linen
36 x 48 inches

Naomie Kremer Green Wish, 2018

Naomie Kremer
Green Wish, 2018
Oil on linen
66 1/2 x 76 1/2 inches

Naomie Kremer Lithosphere, 2023

Naomie Kremer
Lithosphere, 2023
Oil on linen
77 1/2 x 44 inches

Naomie Kremer Oodles, 2022

Naomie Kremer
Oodles, 2022
Digital animation
TRT 6:12
Edition of 5

Naomie Kremer Inklinks, 2023

Naomie Kremer
Inklinks, 2023
Digital animation
TRT 27:37
Edition of 5

Naomie Kremer Muon, 2022

Naomie Kremer
Muon, 2022
Oil on linen
46 x 78 1/2 inches

Naomie Kremer Trellis, 2023

Naomie Kremer
Trellis, 2023
Oil on linen
45 x 45 inches

Naomie Kremer

Different Strokes

October 7 – 31, 2023

Naomie Kremer: Different Strokes
October 7 - 31, 2023
Opening Reception: Saturday, October 7, 6 – 8 pm

Octavia Art Gallery is pleased to present Naomie Kremer: Different Strokes. This is the third solo exhibition at the gallery for the artist. 

In this new body of work, Kremer continues to explore and celebrate the physical experience of being, juggling eros, flora, fauna, and saga in abstract relationships that continue to surprise.  Some of the tools are "new." Ruined old brushes and a variety of scrubbers from hardware stores provide novel ways of putting paint on canvas. Always pushing the boundary of "the tyranny of the mark, the handwriting" Kremer has accomplished this in the past with strategies such as masking and rubber stamping. Now, different tools bring their own idiosyncratic qualities of mark making, expanding the vocabulary with "different strokes." On these canvases, patterns emerge from the coalescence of chance events.

Murmuration, the largest painting in the exhibition, came about organically using these new tools. The hybrid version of Murmuration, reduced in scale, introduces a video of the painting animated and projected on its surface. Kremer's hybrid works bring together the analog and the digital in a form that can only be experienced in person. The experience doesn't resolve into familiarity: front projected, these paintings glow as though backlit. The surface remains elusive. For Kremer, this ambiguity captures a deep truth about reality.

Loopy II conjures an underwater world of creatures and grasses conversing in a symbolic language.  It brings the experience of not just seeing, but being in nature, with fluid rhythms and nuanced shades. Lithosphere, with its vectors and striations, evokes geological processes in the formation of the earth's crust, glowing with the plasticity of heat and pressure.

Two video works, Oodles and Inklinks, are constructed from painting details, photographed and choreographed in a dance of detail and texture, the visual equivalent of a musical composition.

“My work always has a fractal quality.” Kremer says. "From the galactic to the microscopic, there’s a visual relationship.”  Kremer’s paintings, hybrids, and digital works appear different each time they’re experienced, like the natural world itself.

Naomie Kremer was born in Israel and currently maintains studios in Berkeley, California and Paris, France. She received her BA in history from the University of Rochester, NY, her MA in Art History from Sussex University, UK, and her MFA from the California College of Arts, CA. Kremer has exhibited widely in the US and abroad. Her work is in many private and public collections, including the Whitney Museum of American Art, The Brooklyn Museum, The Berkeley Art Museum, The Fine Arts Museums of San Francisco, and the US Embassy, Beijing, China.